Music Review: Coke Studio Season 9 Episode 1 & 2 (Bold Beginnings with Multiple Producers!)

The much awaited season 9 boasting of an excellent artist line-up began last week. This season is also unique in the sense that this time Strings (the overall producers of the season) have invited other music collaborators to co-create productions which is unprecedented for the Coke Studio platform! So clearly there has been a gradual transition from the one-man-show days of Rohail Hyatt (until Season 6) to Strings coming over with a rather collaborative approach. This was subtly apparent in the previous seasons in the way Strings engaged with musicians (do check out behind the scenes videos of past seasons) while they jammed. However in this season this has gone a step further in terms of independent musicians producing tracks while Strings have taken a backseat acting as overall mentors. Well logically this makes sense I would say. Creative art forms need to have room for experimentation and new perspectives should always be welcome, otherwise saturation and monotony begins to creep in. On the flip-side too many ideas while ensuring freshness might also be a recipe for cacophony and that's where I hope Strings as overall mentors must ensure consistency and quality. With just two episodes gone by I don't want to pass a judgement just yet on this experiment. However I do hope that the too many cooks in this season do prove the old adage wrong!

Coming to specific compositions, it has been a mixed bag of sorts for me so far - some have clicked right away, while some taking time to sink in!

Talking of first episode what struck me right away was:

Jaane Na Tu

Composed by Jaffer Zaidi, Sung by Ali Khan

Link to Lyrics here

Perhaps this is not a number you would typically attribute with Coke Studio - there is no fusion, not much experimentation with arrangement. It sounds like your typical late 90s/early 2000s English pop number (Actually reminded of Westlife a lot!). Notwithstanding this fact, this breezy number will sure enthrall you if you have liking for this genre. First up Ali Khan is brilliant! Can't believe that he is back after a decade long sabbatical and boy what a comeback (Checkout his single - Saathiya)! This is a genre where you just need to hit straight notes and sustain it and he does it beautifully with a vocal range slightly shriller than average, which goes with the breezy feel and the overall arrangement. What is mention-worthy is also the feeling he brings in. Somehow the bad times he went through that he speaks about (watch the BTS) is reflecting in his voice and one can feel the pain of separation.

I had been keenly waiting for a Jaffer Zaidi production after Strings announced the new format this year. Jaffer is the same guy who used to be on the keys for most Coke Studio songs right from the beginning and who boasted of long hair which alas is history now! He also had given many compositions to this platform earlier as part of Kaavish (remember Neun La Leya?). Jaffer does a brilliant job in putting together the arrangement and does it very creatively while maintaining the simplicity. The first thing you notice is the brilliant use of Strings section and backing vocals all throughout to give the breezy feel, which complements Ali's vocals beautifully. The chord structure is laid out both by the keys and acoustic guitar. The bass-line is quite creative and Mannu bhai does his own improvisations at places. The arrangement also boasts of a brilliantly done lead guitar piece at 2:20. My moment of the composition is at 4:20 when the scale changes from A# major to C major and how smartly they devised it by bringing the melody to a note (G) common to both scales and continued from there with C major scale after a pause!

Overall a beautiful pop number and as long as the expectations are of just that I am sure this won't disappoint you! Enjoy!

Aaja Re Moray Saiyaan

Composed by Noori, Sung by Zeb Bangash

Link to lyrics here.

Seeing Noori on the list of producers had definitely got me excited as I really loved their past compositions on Coke Studio (remember Saari Raat and Jo Meray?). So I was hoping for compositions with some awesome Sitar solos and an animated Ali Noor (the bearded left-handed guitarist stud!) singing in insanely high pitch. And that was alas not to be! So that definitely was a let-down from an expectations point of view, perhaps the reason why I didn't 'love' this one in the first hearing! However a couple of iterations and this started to sink in wonderfully! So notwithstanding the fact that song hardly had elements I used to associate with a Noori composition, the melody of this composition is gripping and beautifully done!

Aaja Re Moray Saiyaan is a beautiful ballad describing the season of spring where love blossoms around as evident in the flowers of various colors, as the lover calls out to his partner to be one with him! The happy mood reflects in all elements of the composition. The choice of instruments give a folk/country feel all throughout. The use of mandolin in the beginning, harmonium in the interlude sections, the mouth percussion and dholak all throughout adds to the rustic feel. The backing vocalists too have done a great job supporting Zeb with their lively, spirited harmony.

Zeb Bangash delivers a pleasant performance that this song demanded. Not overly excited but just enough to give that subtle romantic feel. Ali Hamza chips in with his unique low pitched voice supported by the choral section. The melody does come with a twist in between with interesting raag shifts. Use of komal ni and teevra ma at places is beautiful. Esp. the megha barse part does sound Yaman-ish with use of teevra ma. But these distinct melody elements are seamlessly fused thanks to the beautiful arrangement!

Overall a wonderful happy song to make your day. Do give it a try more than one time and I am sure you'll explore all the beautiful things being described in the song and much more! :)

Aaqa

Composed by Shuja Haider, Sung by Abida Parveen & Ali Sethi

Link to lyrics here.

Aaqa is a soulful Sufi composition at its best! With Abida Parveen's vocals the divine feeling is a given, however the surprise package yet again (remember Umran Langiyaan?) for me was Ali Sethi! This Harvard grad, columnist, writer, poet and what not doesn't cease to surprise me! With a stellar debut in Umran Langiyaan, Ali chose to catapult himself to the next level with Aaqa alongside Abidaji. 

This composition is all about the vocalists and they own it beautifully with their magnificence! Abidaji is brilliant with her adaygi as usual. There is a beautiful laziness in her singing and yet she is always on beat (taal)! The way she delays and extends ending notes slipping in that extra harkat (like the 'sab' in 'yeh sab tumhara karam' at 2.20) is amazing. There is a definite command in her tone which again is an Abida trademark, yet at the same time it also reflects an unassuming voice longing for Almighty's blessings! Ali stepped upto this opportunity beautifully in delivering another crisp masterpiece. Singing out of his comfort scale and adapting to Abidaji's scale, Ali did a great job singing those high pitched introductory verses. Ali too brings in his own effortless improvisations at places matching that of Abidaji's.

Coming to the musical arrangement, Shuja Haider (the producer of this composition) did the right thing by keeping it at bay mostly, giving room for the vocalists to do their magic. He did bring in a few distinct elements to the fore occasionally. Use of Rubab is beautiful. Rubab along with harmonium brings in the devotional feeling. The Humnawas (Qawwals) also do a great job supplementing the main melody.

Overall a beautifully composed prayer which warrants multiple hearings! Just listen to this closing your eyes and you will sense the divine connection happening! :)

Man Kunto Maula

Composed by Jaffer Zaidi, Sung by Javed Bashir & Ali Azmat

Link to lyrics here.

Man Kunto Maula is a beautiful kalaam written by Hazrat Ameer Khusro and one would find umpteen renditions of this online! But this Rock-Qawwali version perhaps is one of its kind! Kudos to Jaffer Zaidi's imagination here for visualizing and writing this fusion arrangement. Choice of Javed Bashir was apt. But the choice that was interesting and worked wonderful for me was Ali Azmat. While Javed Bashir delivered an expected masterclass performance, Ali Azmat's rock prologue helped exaggerate Javed's performance! The point where Ali stops and Javed starts with 'Man Kunto Maula' gives you that 'aha' feeling. The instrumentation too is designed to go with this with a build up of rock music during Ali's part which transitions to dholak and harmonium to go with Javed's qawwali.

I also loved the ending when both Javed and Ali sing the tarana together as the music builds up in both amplitude and tempo. The taan that Javed takes is perfectly done and the intensity actually reminded me of carnatic vocalists! Overall a great experiment from Jaffer and for me it worked very well. Again there would be the purist lot who would loathe this, but then recreating the exact same arrangement with no 'apni cheez' is no fun right! :) As they say in Bengaluru - 'Enjoy maadi'!

Let me list the other compositions from the first 2 episodes which perhaps I liked to some extent but maybe not loved it! (Unfortunately life too works on relative grading! :-( )

Sasu Mangay by Naseebo Lal & Umair Jaswal: A Rajasthani folk number sung beautifully by Naseebo Lal fused with a Rock-Punjabi part performed by Umair Jaswal. It's quite a gripping number as the two parts come together for a grand crescendo.

Bholay Bhalay by Meesha Shafi: A techno song driven by bass and electric guitars. The starting riff brings the rocky feel which is coupled with solos from Sitar. Meesha brings a naughtiness in her vocals which goes with the lyrics. Again not for everyone but quite creative arrangement I must add!

Baliye (Laung Gawacha) by QB & Haroon Shahid: This one is a Punjabi fusion of an original part written by Haroon and the quintessential shaadi song - Laung Gawacha sung by QB. The arrangement is quite catchy for Haroon's part owing to the high tempo. Harmonium and strings section fills the air beautifully. QB's part starts much quieter and gives prominence to the vocals. Overall it's a breezy arrangement on strings and some choral section with dholak providing the structure. Both portions come together in the end nicely. If you are a QB fan you won't be disappointed! :)

And that's all from Episode 1 & 2! Is it? You must be wondering how come I forgot the most important track - Afreen! Well I liked it so much that I really want to write a full blog-post on that. So yes stay tuned for that as well as Episode 3. I am sure you have enough ammunition to sustain yourself until then.

Take care. Keep Listening. Keep Sharing! :)

- Prabhu

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